Tasting a cheesecake in C Major: On musical pleasure and its adaptive biological function
DOI:
https://doi.org/10.22201/cuaieed.16076079e.2023.24.3.4Keywords:
musical pleasure, biological adaptation of music, music cognition, musicology and biology, evolutionAbstract
Why do we like music? Humans enjoy listening to music, so much so that we flood our daily activities with this practice. This phenomenon seems to be something that spreads throughout the world, although not all cultures have the same conception of music. From an evolutionary perspective, music is so important to the species and has remained among us throughout all these thousands of years that we may think that it has some adaptive biological importance. However, certain authors suggest that music is nothing more than a by-product of evolution without a function relevant to the reproduction or survival of the species. According to them, it only serves to delight the ear, as if it were an auditory cheesecake (Pinker, 1997). Is not music transcendental for human life? That is what we will explore in this paper.
References
Brown, S., Merker, B., y Wallin, N. L. (2000). The Origins of Music. The mit Press.
Cross, I. (2003). Music, Cognition, Culture, and Evolution. En I. Peretz y R. J. Zatorre (Eds.), he Cognitive Neuroscience of Music (pp. 42-56). Oxford University Press.
Eerola, T., Vuoskoski, J. K., Peltola, H. R., Putkinen, V., y Schäfer, K. (2017). An integrative review of the enjoyment of sadness associated with music. Phys Life Rev, 25, 100-121. https://doi.org/10.1016/j.plrev.2017.11.016
Huron, D. (2003). Is Music an Evolutionary Adaptation? En I. Peretz y R. J. Zatorre (Eds.), The Cognitive Neuroscience of Music (pp. 57-75). Oxford University Press.
Killin, A. (2018). The origins of music: Evidence, theory, and prospects. Music and Science, 1. https://doi.org/10.1177/2059204317751971
Mas-Herrero, E., Dagher, A., y Zatorre, R. J. (2018). Modulating musical reward sensitivity up and down with transcranial magnetic stimulation. Nature Human Behaviour, 2(1), 27-32. https://doi.org/10.1038/s41562-017-0241-z
Mas-Herrero, E., Marco-Pallares, J., Lorenzo-Seva, U., Zatorre, R. J., y Rodriguez-Fornells, A. (2013). Individual Differences in Music Reward Experiences. University of California Press, 1(2), 118-138. https://doi.org/10.1525/mp.2013.31.2.118
Nettl, B. (2000). An Ethnomusicologist Contemplates Universals in Musical Sound and Musical Culture. En N. Walin, B. Merker, y S. Brown (Eds.), The Origins of Music (pp. 463-472). The mit Press.
Pinker, S. (1997). How the Mind Works. Norton.
Purves, D., Augustine, G. J., Fitzpatrick, D., Hall, W. C., LaMantia, A., McNamara, J. O., y Williams, S. M. (2004). Neuroscience (3.ª ed.). Sinauer Associates Inc.
Saffran, J. R. (2003). Mechanisms of Musical Memory in Infancy. En I. Peretz y R. J. Zatorre (Eds.), The Cognitive Neuroscience of Music (pp. 32-41). Oxford University Press.
Salimpoor, V. N., y Zatorre, R. J. (2013). Neural interactions that give rise to musical pleasure. Psychology of Aesthetics, Creativity, and the Arts, 7(1), 62-75. https://doi.org/10.1037/a0031819
Sborgi Lawson, F. R. (2022). Is Music Simply “Auditory Cheesecake”? Brigham Young University. https://tinyurl.com/4ven7yh6
Sperber, D., y Hirschfeld, L. (1999). Culture, Cognition, and Evolution. mitEncyclopedia of Cognitive Sciences, 111-132.
Tarr, B., Launay, J., y Dunbar, R. I. M. (2014). Music and social bonding: “Self-other” merging and neurohormonal mechanisms. Frontiers in Psychology, 5, 1096. https://doi.org/10.3389/fpsyg.2014.01096
Trehub, S. E. (2003). Musical Predispositions in Infancy: An Update. En I. Peretz y R. J. Zatorre (Eds.), The Cognitive Neuroscience of Music (pp. 3-20). Oxford University Press.
Weinstein, D., Launay, J., Pearce, E., Dunbar, R. I. M., y Stewart, L. (2016). Group music performance causes elevated pain thresholds and social bonding in small and large groups of singers. Evol Hum Behav, 37(2), 152-158. https://doi.org/10.1016/j.evolhumbehav.2015.10.002
Zatorre, R. J. (2015). Musical pleasure and reward: Mechanisms and dysfunction. Annals of the New York Academy of Sciences, 1337(1), 202-211. https://doi.org/10.1111/nyas.12677
Zatorre, R. J., y Salimpoor, V. N. (2013). From perception to pleasure: Music and its neural substrates. Proceedings of the National Academy of Sciences, 110(SUPPL2), 10430-10437. https://doi.org/10.1073/pnas.1301228110
Published
Issue
Section
License
Copyright (c) 2023 Revista Digital Universitaria

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Revista Digital Universitaria es editada por la Universidad Nacional Autónoma de México se distribuye bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional. Basada en una obra en http://revista.unam.mx/.